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SAFi connection - Parallel Realms - August 2008

set genere: Psy Trance
stream bit rate: 320k / mp3

Karma Kat! --- KRAM ATAK 2 --- (Sporatic DarkPsy)

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KRAM ATAK 2

BY:

KARMA KAT!

11-09-2008
Meant for 10:30 P.M. - 11:30 P.M.
150 Bpm - 155 Bpm

Tracklist:

Gravitron v2--------Glowing Dragon--------Information
I Am The Prison--------Arsenic--------The First Oracle
That's What's Really Cool--------Decibal--------Killah Killer
Restless Demons--------DNI--------Teldrassil Disc 2
Stereophometh--------Baphomet Engine Vs Stereographic--------Multiple Personalities 2
Killah Man--------Cosmo Hippies On The Spoon--------Baba Power
KBN--------Paranoize--------Elemental Psyche
Special Distortion--------Mubali--------Cat's At Play
Jack's Back--------Xatrick Vs KidX--------Macao 2008
Voga--------Noise Gust--------New World 03
Jailhouse Pop--------Highko Vs Paranoize--------Poison Brothers Making Noise
Calm Down--------Highko--------Noise Brothers On Poison

320 kbps (Mp3) 1:07:44
Booking contcact Info: Karmakat604@live.com
http://www.myspace.com/karmakat604

http://www.glowing-dragon.com/audio/KRAM%20ATAK%202%20%20Master.mp3

This particular set was a throw together. All krammed into 1 hour off left field blows. I'm still in the learning process, so any constructive criticism is welcomed. The truth, Although painful sometimes will be respected to the fullest degree. Without feedback from you, the listener, I have no idea about things I might be able to change in future sets. I appreciate the listen and the support. Enjoy!

Music Project
http://www.glowing-dragon.com

Record Label
http://www.dharmaharmony.com

"LOTUS SEED" Compilation on Dharmaharmony

http://www.psyshop.com/shop/CDs/dha/dha1cd001.html

DJ Josko (Neurobiotic) @ Aero Groove

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DJ Set
Artist: Josko
Date: 21/10/2008
Title: Residnetal Area
Label: Neurobiotic
Genere: Minimal Techno
Download

Tracklist:

None

Josko:

Josko aka Giorgio was born in Rome 31 years ago.. He spent 15 of those researching spaced-out music. In 1992 he did his first dj set, with 10 vinyls, and a lot of tapes from radio stations. Nowadays he performs in some festivals around Europe and underground urban parties under London's surfaces. His sets have had several transitions and inputs, developing during the years into a single-minded djing concept able to interact with deep techno clubs or ''off-world'' chillout rooms , always.. trying to shape the future and discover the next step. Also involved in Indica Music, he collaborates with Neurobiotic Records , and he was the mind behind the alternative stage at Sonica, an Electronic open-air Music festival.

DJ SHAFT(69) - Dubbed Out Of My Mind Part 1

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DJ SHAFT(69) - Dubbed Out Of My Mind Part 1
Psychedelic Dub, Ambient Tribal Dub, Downtempo Roots Dub
Recorded Live 9/28/2008

2:00 @ 320kps

320kps High Quality Direct D/L
http://www.megaupload.com/?d=2OWN53NK

Intro- Dr. Oswald Hoffman's Christmas 1968 broadcast with H.I.M. Haile Selassie, Jah Ras Tafari
1>International Observer - Welcome (Heard: Dubmission)
2>Stryke - Ain't No Sunshine (Hi-Fidelity Dub Sessions Vol 3: Guidance)
3>Dub Syndicate - King Of Sound And Blues (Stoned Immaculate: Restless)
4>23 Degrees - Dissolving Essence Of Dub [Last Laboratory Edit]
(An Endless Searching For Substance: Silent)
5>Don Peyote - Peyote Dreaming (Peyote Dreaming: Don Peyote Recordings)
6>International Observer - At The Coronation (Heard: Dubmission)
7>Dub Syndicate - Stoned Immaculate (Stoned Immaculate: Restless)
8>Nada - Manakhana [Youth Remix] (Wider Horizons: LSD)
9>Omnimotion - Dubber (Dream Wide Awake: Aleph Zero)
10>Kukan Dub Lagan - Vibe Of Tribe (Step InA Rasta Step: Mikelabella)
11>The Orb - The Truth Is (The Dream: Traffic)
12>Blue Lunar Monkey - 2012 (2012: Synergetic)
13>Capsula - Dendreamers & Dreamers (Next Destination-A Tribute To Zolod: Free Net Release)
14>The Orb - Lost And Found (The Dream: Traffic)
15>Brother Culture - Isis, Peace Is Love (Isis: Dragonfly)
16>Rhombus - Piano Dub (On A Dub Mission: Wakyo)
17>Brother Culture - Redeye (Isis: Dragonfly)
18>Manusound - I Have A Dream (French Dub System: Wagram)
19>The Orb - Mother Nature (The Dream: Traffic)
20>Lost at Last - Reggae Raga [Youth Remix] (A New Chapter In Dub Vol 2: LSD)
21>Tranquility Bass - Natural Selection (Earthbeatz: Native Harmonics)

Much Respect and Blessings to the artists whose work was used in this set.
Much love for making such great tracks!
Much Respect and Blessings to the labels that put out the great albums used in this set.
Much love for releasing such great music!

This was a special radio show I spun live for my birthday.
Much love and respect to Chuck and Kurdt for throwing such a massive party.

Much love to Jah Micah and Ras Malachai for letting me use the dub library.
Thank you to DJ DreadMind for letting me use the CDJs and the mixers and recorder.
Thank you to Ras Ibo for the Ibogaine and the Iboga ritual and for helping me prepare to partake of the sacred tree of knowledge.

Proper respect to Tampa Bay Dub Tribe, St. Pete Tribal Dub Underground Collective, Psydublicius Sound System, Truth Virus Productions,
Thought Bomb Sound System and the Mind Bomb Productions Sound System.

David Guetta_-***** Me Im Famous Preparty (SlamFm)-cable-10-19-2008 only on www.

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David Guetta Biography August 2008There are few DJs in the world that create the reaction that David Guetta sparks. Whether it’s 50,000 fans singing along to his hit records at the recent massive Stade De France stadium Unighted über-party, or dark rooms of clubbers locked in the groove nine hours into his set, Guetta gets passions flowing. That’s because he uniquely and boldly treads a tightrope most DJs wouldn’t dare to traverse: the line between being an underground DJ and having huge crossover success. That might not sound like two worlds that go together, but David flits between French prime-time TV appearances, deep sets at Space Miami and producing music that appeals to clubbers and also way beyond with apparent ease. That he won a World Music Award and was voted the best house DJ in the DJmag Top 100 in the same year is a credit to his ability to work in both of these seemingly disparate worlds.“I’m not trying to be credible,” David admits with a smile broadening across his soft, open face. “I’m trying to be incredible. It’s very easy to be underground because you just have to obey a set of codes. It’s very formulaic. But it’s also very easy to be totally pop, because it’s very formulaic too. I’m trying to do something different.”And it’s working. With DJ sets at hundreds of the coolest clubs each year and record sales clocking in at more than three million singles and almost 2 million albums – half a million of which are for his latest artist long player ‘Pop Life’ – it’s clear that his own path is a fruitful one. A huge star in France for over a decade, David is following that success worldwide. In America for example all of ‘Pop Life’s singles smashed into the Billboard Dance airplay top ten and Love Is Gone refused to leave the No.1 spot on iTunes Dance USA for three months - while the album went gold in multiple territories across Europe. Guetta is also the most requested artist for summer compilations on the whole of EMI. With around 50 million hits on YouTube (and climbing fast), David is as popular outside of nightclubs as he is in them. In fact, David’s video’s hold the Number 1 and No 3 spots in the most watched Electronica clips on Youtube – worldwide and of all time!This summer has seen Guetta play to an incredible array of people, calling in at Love Parade, Bahia Carnival, Queensday, Techno Parade and Global Gathering. That adds up to around 4,500,000 dancers before you even count the club gigs or the Pacha Ibiza residency! It’s such a buzz playing to big crowds, but he’s never out of a club for too long.“At the Brazil carnival I spun to two million people and I've played to up to 200,000 a few times,” he says with pride but without arrogance. “It feels very good, of course, because of the energy you receive from the people. At first I wanted to play only to the biggest crowds possible, because it's like a drug. Now I balance the big shows with more intimate club gigs were I can play more new sounds. The big venues are great but sometimes playing to so many people forces you to repeat the same tricks.”That explains a lot about David Guetta. He’s wants to entertain as many people as possible – show everyone a great time – but never at the expense of being a DJ. Of all the parts of his renaissance life it’s this that is key – he’s a DJ first, everything else follows.One of his favourite gigs was during his phenomenal US tour. After playing three hours of his biggest and best at Crobar Miami he dived over to Space to go deep for another six hours. “Playing those two gigs was like the two basics of DJing,” he explains, “the raw energy of super dynamic mixes and party tracks for Crobar, and taking people on a trip with long, deep mixes at Space.”It’s not uncommon for David to stay on the decks after he’s thrown down his big party set so he can play all the other records that he adores. After a couple of hours of big drops, singalongs, arms in the air, screaming and accapellas being sliced and diced, he’s got the crowd where he wants them and for the next one, two, three hours he’s going to take them on a groove.“And that’s the part I love most!” he laughs.To see Guetta wind a room into a frenzy is something special. With an unrivalled connection to the crowd he’ll direct them like a puppet-master, driving their hands in the air as he works CDJs, EQs and effects in a way that sounds more like someone using Ableton. That’s something that has escaped a lot of people: technically David is one of the most impressive DJs in the house scene. Almost remixing records live, he makes loops, slams tracks together that you’d never think would go and uses vocals over other instrumentals. His sets are so dynamic that at times it’s difficult to see how he can keep the energy up. To put it simply, Guetta creates moments. And that’s why when you look out over one of his crowds you see smiles and hands shaped into heart signs. When you give people a night to remember they love you for it.Those who know Guetta from his radio records are often surprised by his DJ sets and where he’s found after dark. Any preconceptions that he plays pop are quickly misplaced. He’s as likely to be at Il Murretto, Space Ibiza or Cocoon and yet is equally at home at Pacha where he hosts F*** Me I’m Famous parties. The fabulous name is, of course, ironic and the events themselves are a great melting pot – his wife and co-promoter Cathy inviting the beautiful people while David throws his hard-core clubbers into the mix. It’s a return to the early melting pot of 80s Ibiza, which is perhaps why the Pacha residency this season has been such a huge success.“The original idea was to have people who don’t normally mix,” David explains. “My wife brings the glamorous crowd, I bring the crazies. It’s about being inclusive but giving something exclusive at the same time.”“Maybe it’s because I’m French that I like a bit of glamour,” he says. “It’s part of my world. I like that people are bringing something to the party by dressing up. I like to be sexy, for me it’s more about the sexiness than the money.”And that’s the thing about Guetta, he’s really not about the cash, or the glamour or the pop star life. A much softer, more emotional and easy going man some of the press want him to be. He doesn’t want to dazzle people, he wants to touch them.“Everything I’m trying to do – in my DJing, my production – is about sharing emotion. When I’m making music in the studio that’s all I’m looking for. It’s what matters the most. I’m just a nice person really, you know!”Nice, yes. And passionate and real. The media wants to stick him in a convenient box as a glamorous star, but Guetta refuses to slot into any pigeonhole – except maybe one: DJ.James Kendall

Armin Van Buuren Presents_-A State Of Trance Episode 376 Thank You Set only on w

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Armin thanks YOU for voting! For the second year in a row, Armin van Buuren has been voted most popular global DJ in the DJ Mag Top 100 DJ Poll. Tonight, at London’s Ministry of Sound, the full results of the poll will be revealed at the official ‘DJ Mag Top 100 DJ’s Party 2008’, where Armin will proudly accept the award. Armin has been listed in the DJ Mag Top 100 since 2001, when he entered the poll at the 27th position. In 2002 he climbed up to the 5th position, and in 2003, 2004 and 2005 he was listed at the third spot. In 2006 he moved up to the second place, until eventually in 2007 he topped the Poll with a number one position. And this year, he did it again! Armin wants to send a big thank you to all voters! Armin’s reaction: "For me this is an incredible honour, because it’s an award from the votes of so many dance music lovers that went online to vote. I’d like to take the opportunity to thank everyone for their support. I could have never done this without the help of so many people. My management, DLP, Armada & Cloud 9 Music. Thank you to DJ Mag for an incredible year, thanks to all clubbers, fans, promoters, club owners, magazines, websites, radiostations, record labels, etcetera. And of course: YOU! Thank YOU!"

Mark Knight - Ibiza - voice - 11.09.2008 (www.Boomadelic.com)

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Mark Knight has forged himself a reputation as one of the foremost house producers on the planet, shaping the scene with his Toolroom imprint. A string of consistently hot productions and skilfully written remixes (from Kylie through to Underworld) have secured ongoing success at the top of the dance charts - highlights of this year include Mark’s INCREDIBLE remake of Laurent Garnier’s epic ‘Man With The Red Face’ (officially Beatport’s FASTEST ever selling record, and 1 on their chart for 3 consecutive weeks!!) Last year’s hits include his 'Colombian Soul' collaboration with D.Rameriez (one of the biggest records to come out of 2007) and a destructive mix of Axwell, Angello, Ingrosso and Laidback Luke's 'Get Dumb'.

Having stormed the DJ Mag Top 100 Poll as one of this year’s highest new entries - Mark is now officially ranked 51 in the world, and for the second year running has won ‘Best DJ’ at the KISS 100 Awards. Setting the standard Mark is a DJ who’s technical ability is second to none – his sets are a real musical journey that range from driving techy sounds through to deep progressive main room beats, and now with the added VJ element Mark pushes the boundaries of technology even further, Djing both audio and video via live DVD mixing, which allows him to really stamp his personality on the night, expressing himself through the images and custom video content, connecting with his audience on another level.

It’s been a steady rise for Mark from securing his residency at the infamous Ministry of Sound in 2003 - the place where his ability to command and rock a dance floor has since been both tested and truly perfected. In 2004 with a soaring profile and a growing fan base, Mark launched ‘Toolroom Records’ – initially as an output for his own production. As house music returned to its underground roots the label embodied this shift and began re-shaping the scene with its own distinctive sound - the ‘Toolroom Sound’, releasing quality, cutting edge tracks at a time when the scene was lacking originality.

Never one to rest on his laurels Mark launched ‘Toolroom Knights’ at Amsterdam’s ADE (Amsterdam Dance Event) in October 2006 to an amzed crowd. The night, based around the label’s (Toolroom Records), and Mark’s distinctive sound introduced the underground sound of Toolroom to the overground, and have gone on to host parties at key cities across the world. Already with established residencies at Ministry of Sound (London), Redlight (Paris), Cocoon (Frankfurt), Sankey’s (Manchester) This summer Mark raises the bar and takes Toolroom Knights to the White Isle kicking off it’s first Ibiza residency, hosting the infamous Terrace at Amnesia on Tuesday’s (launching July 1st)

From the start of his Ministry residency in 2003 through to the launch of ‘Toolroom Knights’, and now having fully embraced the audio-visual technology Mark Knight is a DJ/producer whose dedication and talent are apparent within his consistently mind-blowing productions, DJ sets and parties. Mark has established his status as a world premier DJ/producer, and continues to build a solid worldwide fan base.

Kalumet In Dub - Chillum Nights (vol.1. & vol.2.)

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size: 56 Mb & 51 Mb
lenght: 61 min. & 56 min.
format: mp3, 128 kbps
genre: ambient, triphop, country, dub, rock, reggae, jazz, ethno, etc

Hi ho,
I used to run a weekly chillout club night in Budapest, called Chillum Nights.
I recorded these two mixes there, in the name of diversity.
There are some special slow versions of tracks such as James Holden's 'A Break in the Clouds', hopefully they wouldn't mind that i made these tracks very slow..
enjoy

http://kalumet.psylife.net/Kalumet_In_Dub_-_Chillum_Nights_vol1.mp3

Kalumet In Dub: Chillum Nights vol.1.

1. Lazy Fat People - Big City (Ripperton's beat tool)
2. Peter Gun - Chilla
3. Balearica - Green Monastery
4. Zenzile - Open
5. Goran Kajafes - Headspin
6. James Holden - A Break In The Clouds (slow edit)
7. Kalumet In Dub - Downswim
8. Lucien N Luciano - La Limonada de Pepe Bombi (slow edit)
9. Sultan - Gel Gor Beni Ask E-Ny
10. Chillwalker - Sunday Morning
11. Kalumet In Dub - Ne aludj el
12. In Credo - Siesta del Sol

dj Wedran (Sarajevo) : Ayahuasca Dream - 10.2008.

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DJ Slater (Tribal Vision Records, CZ) - Live in Canada 2008

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